Amazon Kindle: Your new e-book reader?

Amazon Kindle e-reader
Amazon.com has released the Kindle just in time for the holidays. The device has a battery life that lasts for days, gets wireless EVDO delivery of content, and has a crisp black and white screen… all this in a device that weights 10.3 ounces.

You can read blogs on it, get newspaper and blog content delivered to it, it has a keyboard. It’ll even fully recharge in 2 hours.

The key thing about the device I think is that there are no wireless bills, service plans or commitments. If they had charged a monthly fee, I think that would have killed the device.

Now, if you want to get your own personal files or pictures on the device, you can e-mail them for $0.10. I’m not sure why there would be a charge for that, but not the other online content.

Check out Amazon’s Kindle page for a lot of info and video.

What do you think? Would you buy one?

Update Looks like you’ll be changed $1.99 per blog per month.

LOST Showrunner Back At Work During Strike

The Wall Street Journal has an article about “showrunners”, writers who are also producers on their shows going back to work, inspite of the writer’s strike. The reason? Well, there are two. First, they’re getting “breach of contract” letters since they haven’t been showing up for work to do their producing work. Second, they want to make sure that the integrity of the show they’re working on remains intact, and doesn’t go off in a direction they don’t want it to go in.

Who’s one of the people returning to work?


One of the most high-profile to return to producing is Carlton Cuse, a member of the WGA’s negotiating committee who is a showrunner and writer for ABC’s “Lost.” He plans to do some postproduction for the eight episodes of “Lost” that have been shot, he says. “We feel we owe that to our fans,” he says. “We would harm our franchise if we didn’t do it ourselves.”

The studios have put these people in a hard position. Get sued if they don’t fulfill their contract obligations, and maybe have a show turned over to people that aren’t going to do the show the way it was intended. For LOST, I think handing it over to others would be a real disaster, and I think Cuse is doing the right thing.

Why We Side With the Writers During the Writer’s Strike

Writer’s Strike
Variety is reporting that a study shows that public is siding with the writers during the writer’s strike.

Part of that is that it’s the beginning of the strike, and nothing except the late night shows (and fake news programs) have been hit by it. Those shows are in reruns, and pretty soon, all those shiny new shows the public has been watching since late August will start drying up. What will the public’s reaction been after a couple of months of “no more new episodes”?

I hope the public sticks with the writers throughout the whole strike. If you look at the small amount of money they’re asking for per DVD (they want 8 cents per DVD, up from their current share which is 4 cents), and they want to be paid for streaming video shown over the Internet. (There are more similar demands, but I won’t get into that here).

Writers got rotten deal back in the days when VHS and cable were new. Hollywood has a bad record of how it treats writers period. Sure, the writer gets paid, but once that script is written, particularly for movies, that’s it. The writer is out of the loop and the bottom of the food chain. Directors and actors come in, change things around, and get all the credit when the movie comes out and it’s a big hit. The writer might get some credit, but usually the original script has very little to do with what ends up getting shot. The writer rarely gets credit for the movie.

Think about that a minute. Think of the last couple of movies you enjoyed. Do you know who wrote them?

In television, I imagine it’s similar, although you can see that some writers (on “LOST” for example) do have a greater influence on what happens on the show. Lost is a special case, since there’s a lot going on that even the actors don’t know about.

Anyway, I’ve never liked the way Hollywood has treated writers. Without the writers, there would be no stories to tell, and it’s time that the studio execs face up to the fact that writers need to be treated a lot better than they are.

Kitchen Nightmares: Finn McCool’s

Gordon Ramsey
This week, Gordon Ramsey travelled to The Hamptons to visit Finn Mc Cool’s, an Irish Pub. It’s run by Buddy and his sons Jason and Brian. Brian is the head chef. Jason is the bartender.

Right from the start, everyone at the restaurant says that Brian is arrogant. Gordon tries “Irish Springrolls”, Salmon, and Shepard’s Pie. None of them go over very well. Buddy even thinks Gordon didn’t even like the water. The Shepard’s Pie ended up sending Gordon running for the bathroom.

I have to stop here and ask: What the heck is in an “Irish Springroll”? Corned beef and cabbage?

Anyway, Gordon goes out to find out from the local fire department why they’re not going to Finn Mc Cool’s. The fireman think there’s a bit too much fried food, but Gordon invites them to dinner.

The next day, he does a kitchen inspection, and it’s pretty filthy. Gordon said it was a “Kitchen Disaster”. The only thing he found that was “clean” was a copy of his own book!

Gordon talks to Buddy, Jason and Brian, and tells them they really need to get that kitchen cleaned up, and they do that. The family is surprised at Gordon’s pronouncement about how dirty the kitchen is, but they all pitch in and clean it up.

That night, the firemen arrive and order. Gordon watches what’s going on in the kitchen. In one of the many one-on-one interviews they put into the show, Buddy explains his nickname for Brian, “Chef Shortcut” because he cuts corners. Brian doesn’t like Gordon watching him and asking questions.

The firemen get their food, but it’s not what they hoped for. Gordon brings out Brian, and the firemen explain what they thought. The corned beef sandwich was dry, the fish was frozen, and the pie wasn’t warm enough. Brian’s reaction? He didn’t think they had the right to critique the food, since they don’t cook for a living.

Back to the kitchen, we witness on camera something (a chicken wing, I think) hit the floor, and the sous chef tosses it right into the fryer. Gordon questions this, and the sous chef says putting it into the fryer will sterilize it. (Yikes!)

On day three, we find out the the place is in big trouble. They’re losing $20,000 a month, and Buddy isn’t paying himself. If the place closes, the whole family will be in big trouble.

Gordon shows Brian how to make a Shepard’s Pie. The whole staff tries it, and loves it. Brian says he thinks he ends up looking bad, and is really mad about it.

That night, Brian and his father have a confrontation. Buddy tells Brian to stay in the kitchen and work instead of running out to be with his friends. Brian agrees, but doesn’t like it when Buddy hangs around to watch him work. Brian finally gets fed up, and leaves the restaurant.

Buddy is now forced to run the kitchen, which doesn’t go very well. He has trouble with orders.

On day four, Brian comes back. Both Buddy and Jason think that Brian has a lot harder job than either of them thought. Now that Gordon witnessed the dinner service without Brian, he realized what Brian was dealing with. Brian himself says he wants step up his game.

The restaurant transformation makes the whole place look better. The whole staff is pretty surprised how much nicer it is, and they even have a nice new sign for the front of the restaurant.

The menu was always overhauled, with 2/3rds of the menu tossed. New menu includes a Guinness pub burger, his family recipe for Shepard’s Pie, and Fireman’s Chicken. He also wants to introduce table-side service, where the chicken will be carved at the table.

That night, after a pep talk, the restaurant is fully booked. Even the firemen are back. Even the local food critic is there, so it’s a big big night. The kitchen is overwhelmed, the people in the dining room is waiting, and the whole staff is really working hard. The local food critic is pretty upset about not getting a table. The fire chief ends up leaving. Gordon finally stepped in, and everything starts flowing.

The food critic is finally seated, and orders. The food is delivered, and they really like the food. They declare “It’s almost worth the wait”.

The night ends successfully, and Gordon congratulates them on a job well done. After he left, Gordon said that a lot of these kitchen revamps are a pain, but this one was a joy.

….And shock of all shocks, they did a follow-up! Two months later, things are going well. Jason and Brian support each other, and Buddy finally cashed his first paycheck.

At the end they displayed the message:

“If you want world-renowned chef Gordon Ramsey to try to turn your KITCHEN NIGHTMARES into the restaurant of your DREAMS…

Go to www.FOX.com/KitchenNightmares or call 1-866-226-2226”

Now a few thoughts about the show:

I was very happy to see they finally did a follow-up on how things were going with the restaurant. It was good to see that this place got turned around and was doing well. People watching what happens at these restaurants want to know how things turn out, not be left hanging. I hope they continue with the follow-ups.

If a restaurant doesn’t get turned around, we want to see that too.

I still wish they had Gordon narrate the whole show.

One thing they’ve done on the British version of the show which would be interesting would be to see how all the restaurants are doing well after the show ended. Are the chefs still there? Is the restaurant even still in business? Have they returned to their old ways?

SimCity Societies

SimCity Societies
I saw the video for SimCity Societies today, and I have to say this is the version of SimCity that I’ve wanted to see for a long time. You can zoom down into the city, see everything in 3D, build your own themed towns, and it looks like a lot more. The website for SimCity even has a place for mods and uploads, so it’ll be interesting to see what people come up with. I’m anxious to get my hands on it. Anyone else try it yet? What do you think?

Before Watching Heroes: “Four Months Ago”

heroes.png
As much as I like the show Heroes, I think they’ve made some mistakes this season. They’ve been losing viewers because of having a storyline that’s pretty complex and “mysterious”, the same thing the producers criticized “LOST” for.

One problem is that they’ve waited this long to tell the story of what happened immediately after last season’s finale. That will finally be answered tonight. I’m sure this is because of the surprise ending from last week. That story needed to be told so they could move Kensei into the story where it made sense, so we’d know who he was.

I understand that’s just their way of telling the story, but it looks like many people in the audience didn’t like that a bit because they’ve been losing viewers. When the season started, characters had moved on, without a hint of what happened.

But that’s not the biggest problem. It’s the “If we don’t stop this, a catastrophe will happen at some point in the future” storyline. A devastated city! Wait… Didn’t we see that before? Oh, that’s right… season one! I have to say my first thought was that they time-traveled back to season one, before the writer’s strike.

And, oh look! They brought back the paintings made by someone that can paint the future! Oh boy!

There are many different directions the show could be taking. The “save the future” and “future paintings” have been done.